My work questions the relationship between text and images, and often uses appropriation to
point to the contradictory messages embedded in the contemporary globalized environment. Feminism, photography theory, and literary theory underwrite my practice.
I am also dedicated to critical writing as art
practice. Recent essays appearing in peer-reviewed
“The Invention of the Selfie in the Photography of Anne Collier,”Camera Obscura, fall 2019
“Spiral Jetty, Geoaesthetics, and Art: Writing in the Anthropocene,” co-authored with Susan Ballard, The Anthropocene Review, spring 2019