My work questions the relationship between text and images, and often uses appropriation to point to the contradictory messages embedded in the contemporary globalized environment. Feminism, photography theory, and literary theory underwrite my practice.

I am also dedicated to critical writing as art practice. Recent essays appearing in peer-reviewed publications include:

        “The Invention of the Selfie in the Photography of Anne Collier,” Camera Obscura,  fall 2019

        “Spiral Jetty, Geoaesthetics, and Art: Writing in the Anthropocene,” co-authored with Susan Ballard, The Anthropocene Review,  spring 2019

      "Alone in the Crowd: Appropriated Text and Subjectivity in the Work of Rirkrit Tiravanija," Third Text, published by Routledge (London), February 2017
                   “Reframing Pictures: Reading the Art of Appropriation,” Art Journal, published by CAA (New York), winter 2016

        “Inside Out: Representations of Women and Work on Popular Television,” interview with Jen Kennedy, Journal of Critical Studies in Business and Society,  fall 2010