LIZ LINDEN
ealinden@gmail.com
www.lizlinden.com
www.contemporaryfeminism.com
www.surfstreetpress.com
EDUCATION
2018
University of Wollongong, PhD in Art,
Wollongong, Australia
2009 Whitney Independent Study Program,
New York, NY
2002
Yale
University, BA in Literature, New Haven, CT
2001
École
Nationale Supérieur des Arts-Décoratifs, Paris, France
SELECTED RECENT EXHIBITIONS / PROJECTS
Solo Exhibitions Marked With*
2021 The Position of the Sun in the Sky, White Columns, New York, NY
2019 The New York Times Feminist Reading Group, collaboration with Jen Kennedy, San José Museum of Art, San José, CA
2018 Past and Future Fictions, MoMA PS1, Queens, NY
In Real Life, Worth Ryder Art Gallery, University of California, Berkeley, CA
2017 Damaged
Goods, Cleopatra's, Brooklyn, NY*
TELETHON,
collaboration with Jen Kennedy, Hammer Museum, Los Angeles,
CA*
En Masse: Books Orchestrated,
Center for Book Arts, New York
Forever Tranformed, Gertrude Contemporary, Melbourne, Australia
2016 Utopia is No Place, Utopia is
Process,
collaboration with Jen Kennedy, Usdan Gallery,
Bennington College, Bennington,
VT
The Sydney Morning
Herald Feminist Reading Group, collaboration with Jen
Kennedy, Museum of Contemporary Art, Sydney, Australia
2015 Target Practice, TAEM
Gallery, University of Wollongong, Wollongong, Australia*
pilot press... (year long
installation), in collaboration with Jen Kennedy,
Abrons Arts Center, New York, NY
Then and Now: Artists
in Residence, Center for Book Arts, New York, NY
Then and Now: Artists in Residence,
Castle Gallery College of New Rochelle, New Rochelle, NY
Recall, Art in Odd
Places 2015, New York, NY (cat.)
When Words Collide II,
in collaboration with Nanna Debois Buhl, Galleri Tom
Christoffersen, Copenhagen, Denmark
2014 I
wasn't lying; you didn't ask the correct questions.,
Hagedorn Foundation Gallery, Atlanta, GA*
2013 Welcome to the Real,
collaboration with Nanna Debois Buhl, TEMP art space, New
York, NY
Brother, Can You Lend Me a
Stack?, collaboration with Jen Kennedy, Center
for Book Arts, New York, NY (cat.)
IRL, collaboration
with Nanna Debois Buhl, Point B, Brooklyn, NY
The New York Times Feminist
Reading Group, collaboration with Jen Kennedy,
ICI (Independent Curators International), New York, NY
2012 2011
Workspace
Artists-in-Residence, Center for Book Arts, New
York, NY
Young Curators, New Ideas IV,
collaboration with Jen Kennedy, Meulensteen Gallery, New
York, NY (cat.)
Visions and Voices,
collaboration with Jen Kennedy, University of Southern
California, Los Angeles, CA
Stuff Lust, Dekalb Gallery,
Pratt's Institute, Brooklyn, NY (cat.)
Required Reading,
collaboration with Jen Kennedy, Center for Book Arts, New
York, NY (cat.)
2011 Mall
of America, Artspace, New Haven, CT*
City Grammar, a
two-person exhibition with Nanna Debois Buhl, Bureau, New
York, NY*
The Dependent, Sheraton Hotel,
New York, NY
h.arta
group, collaboration with h.arta and Jen
Kennedy, Ludlow 38/Künstlerhaus Stuttgart, New York, NY
F is for Fake,
collaboration with Jen Kennedy, Cleopatra’s, Brooklyn, NY
2010 The Last Newspaper, in
collaboration with Jen Kennedy, New Museum, New York, NY
Presentation,
collaboration with Nanna Debois Buhl, Lunds Konsthall,
Lund, Sweden
Collective Consumption,
Dumbo Arts Festival, Brooklyn, NY
making ourselves visible,
collaboration with Jen Kennedy, Brooklyn Museum, Brooklyn, NY*
2009
BACK TO THE FUTURE,
collaboration with Jen Kennedy, February 21, 2009,
Whitney Museum of American Art, New York, NY*
PERFORMA,
live radio performance with Jen Kennedy in project by
Broadside, New York, NY
Analog Sunset,
collaboration with Ethan Breckenridge and Phil Vanderhyden,
Ludlow 38, New York, NY
Whitney ISP Studio
Exhibition, Art in General, New York, NY
book swap . . .,
collaboration with Jen Kennedy, DISPATCH, New York, NY
SIGN! Art in Odd Places 2009,
New York, NY
2008
Show 1, Kate Werble
Gallery, New York, NY
L’Argent, FRAC Ile-de-France/Le Plateau, Paris,
France
2007
PAWNSHOP,
collaboration with Julieta Aranda and Anton Vidokle, e-flux,
New York, NY*
Doubles, Buia Gallery, New York,
NY*
2006
Kollektor Stange,
Future 7, Berlin, Germany
Peace Tower 2006, Whitney
Biennial: Day for Night, Whitney Museum, New York, NY
2005
PastPresentForever,
Buia Gallery, New York, NY
Utopia Station, World Social
Forum, Porto Alegre, Brazil
Boundless, Stenersenmuseet,
Oslo, Norway
2004
Utopia Station, Das
TAT, Frankfurt, Germany
2003
Journal: Photographs from
the Second Intifada, Cave Gallery, Brooklyn, NY*
SELECTED GRANTS /
FELLOWSHIPS / RESIDENCIES
2017 Arts Writers Grant, Creative Capital/Andy Warhol Foundation
Hammer Museum
Public Engagement Residency, Los Angeles, CA
2016 Brian Crowther
Prize, University of Wollongong
2015 Puffin Foundation Artists Grant
2014 New York Council for the Humanities
Project Grant
Artist’s Book of the
Moment Shortlist
2013 Culture Push Fellow
2011 Artist-in-Residence, Center for Book
Arts, New York, NY
2010 Studio Artist,
Capacete, Rio de Janeiro, Brazil
SELECTED PRESS
2017 Art Review Asia, “Octopus 17: Forever Transformed at Gertrude Contemporary, Melbourne,” Tristen Harwood, Autumn
The Journal of Feminist Scholarship, “Not Mine Alone, Nor Mine to Own,” Jackie Mabey, Issue 12-13
2015 Hyperallergic.com,
“The
2015 NADA Art Fair in 25 Superlatives,” Jillian
Steinhauer, May 15, 2015
2014 The
New
York Observer, “Call It the Gray Womyn: Reading The New
York Times From a Feminist Perspective,” by Kara
Bloomgarden-Smoke, February 12, 2014
2013 C Magazine, "Le
baiser de l'institution: Feminism After Elles," by Ania
Wroblewski, Issue 117, spring 2013
Gender Art/Work and the
Global Imperative, by Angela Dimitrakai,
published by Manchester University Press (Manchester),
2013
Politics in a Glass Case;
Exhibiting Feminist Art, edited by Angela
Dimitrakai and Lara Perry, published by Liverpool
University Press (Liverpool), 2013
2012 The first 3 years of Ludlow 38,
Tobi Maier, Antonia Lotz (eds.), Spector Books, Leipzig,
Germany
Daily Trojan, “Event studies the role of women in The New
York Times,” by Isabelle Sayyah, October 23, 2012
2011 New Haven Register,
“PICK OF THE ARTS: Artspace’s ingenious ‘Mall of
America’ show,” by Donna Doherty, March 3, 2011
Artforum.com, Critic's
Pick, Nanna Debois Buhl and Liz Linden
by Sarah
Lookofsky, July 14,2011
2010 Differences,
"'Women's Time' in Theory," by Emily Apter, spring 2010
Flavorwire.com,
“Adventures
in Australia: Visual Artist Liz Linden,” interview with
Caroline Stanley, January 14, 2010
On-Verge,
“The
Art of Seduction & The Skeleton in the Closet,” by
Kerrie Welsh, fall 2010
2009 New York Magazine,
"What the...," November 8, 2009
The New York Times,
"Art & Design," "Inside Art" by Carol Vogel, October 22,
2009
PaperMag.com,
"Word
of Mouth: There's Art in Odd Places," by Joseph Alexiou,
October 5, 2009
2008 Artforum,
XLVI, No. 8, "MARKET INDEX: Barry McGee" by Michelle Kuo,
April 2008
ArtReview, Issue 20, "REVIEWS: PAWNSHOP,"
March 2008
BBC World Service radio, “The
Ticket,” February 8, 2008
The New York Times, "Sunday Styles," "PULSE"
by Karin Nelson, January 27, 2008
ARTnews, VOLUME 107/NUMBER 1, "A
New Day Pawning" by Lamar Clarkson, January 2008
SELECTED WRITING / PUBLICATIONS
2021
"Art Writing and Allegory in the Anthropocene," co-written with Susan Ballard, October, issue 175
2019
"Women With Cameras: the Invention of the Selfie in the Photography of Anne Collier," Camera Obscura, issue 101, August 2019
"Robert Smithson, Geoaesthetics, and Multivalence: Looking for Art in the Anthropocene," co-written with Susan Ballard The Anthropocene Review, April 2019
2017
"Alone in the Crowd: Appropriated Text and Subjectivity in
the Work
of Rirkrit
Tiravanija," Third Text, published by
Reutledge (London), February 2017
2016 “Reframing Pictures:
Reading the Art of Appropriation,” Art Journal,
published by CAA (New York), winter 2016
The Rocks of
Albany,
artists’ book in collaboration with James Angus,
published by Surf Street Press
(Australia)
2014 The New York Times
Feminist Reading Group Yearbook, artists’ book in
collaboration with Jen Kennedy, published by
Revolver (Berlin)
2010 City
Grammar, artists’ book in collaboration
with Nanna Debois Buhl, published by Revolver (Berlin)
Double Take, “The Elephant in
the Room,” published by Public Art Fund (New York)
PUBLIC
COLLECTIONS
Hammer Museum, Los Angeles
York University Art Gallery,
Toronto
The New York
Public Library, New York